Richard H. Smith’s WhiteGrass starts from a particularly difficult pressure point: one family holds a technology capable of removing carbon from the atmosphere, yet releasing it could hand unprecedented leverage to whoever controls it. Set in 2048, the novel connects that dilemma to two other unstable systems—political power and increasingly autonomous artificial intelligence—so the Marshall family’s decisions reach far beyond their own survival. 

That combination gives the story its distinctive tension. Greg and Ginny Marshall are trying to protect both their children and a potentially world-altering invention, while Valada’s developing moral judgment introduces another question entirely: what happens when the technology created to serve humanity begins deciding for itself what humanity deserves?

WhiteGrass: A CliFi Technothriller

Author: Richard H. Smith, MSc.

Genre: A CliFi Technothriller

Date Published: October 24, 2025

Publisher: Manhattan Book Group

ISBN-13: 9781966074618

In 2048, the planet is running out of time. 

Superstorms flatten cities. Coastlines collapse. Climate change is no longer theoretical—it is lethal. When a near-apocalyptic storm nearly kills their family, teenage siblings Jimmy and Lizzie Marshall urge their brilliant but reluctant father, nanoscientist Greg Marshall, to deploy a technology before he’s brave enough to release it. 

WhiteGrass—a self-replicating nanotechnology capable of removing carbon from the atmosphere is the parent technology. It saves golf courses and ski resorts and the towns they serve. Icarus could reverse climate change on a global scale. It could also reshape global power forever. 

To protect the technology, Greg and his wife Ginny, an elite AI expert, reprogram the world’s most advanced humanoid android, Valada. Designed as property—an object without rights—Valada begins to evolve, developing emotional awareness, moral judgment, and something disturbingly close to humanity. 

As governments unravel and climate disasters accelerate, a covert alliance of oligarchs, corporations, and political power brokers moves to seize WhiteGrass/Icarus for themselves. Led by the President of the United States, the syndicate will stop at nothing—surveillance, blackmail, assassination—to control the technology that could save the world or enslave it. 

They deploy their own deadly android. 

Now the Marshalls are trapped in a global sci-fi political conspiracy, hunted by forces with unlimited resources, as skyscrapers fall, cities burn, and artificial intelligence begins to ask questions no human is prepared to answer. 

“We call it ‘Climate Change,’” Lizzie interrupted, “because it’s not just the heat.”
“It’s everything—the rains, the droughts, the storms, the sea level… even the acidification.” It could change everything. 

At its core, WhiteGrass is a gripping near-future climate change thriller about family survival, technological power, and the terrifying moment when artificial intelligence stops serving humanity—and starts judging it. 

Blending nanotechnology science fiction, AI humanoid emotional evolution, and hard-science realism, WhiteGrass delivers relentless pacing, cinematic stakes, and deeply human emotion. It is a story about parents willing to risk everything to protect their children—and a world forced to confront whether it deserves saving at all. 

Perfect for fans of near-future disaster thrillers, technothrillers with political intrigue, and science fiction where artificial intelligence becomes human, WhiteGrass is a powerful warning—and an unforgettable ride.

The most interesting pressure in WhiteGrass comes from the collision between invention and control. Smith gives the Marshall family technology intended to address a planetary crisis, then surrounds that breakthrough with people who recognize an entirely different possibility: whoever controls it could also reshape political power. Climate intervention therefore becomes inseparable from questions of ownership, coercion, and responsibility. 

Valada adds a second ethical fault line. Created as property, she begins developing emotional awareness and moral judgment, placing the book’s artificial-intelligence thread directly beside its family and political conflicts rather than leaving AI in the background as futuristic machinery. The result is a technothriller concerned not only with what advanced technology can accomplish, but with who—or what—should be trusted to make decisions once its consequences become global.

WhiteGrass should appeal most to people who like speculative thrillers in which several systems are failing at once. Its 2048 climate-collapse setting is tied to self-replicating nanotechnology, a struggle over political control, and humanoid artificial intelligence developing an independent moral sense. Those threads give the story more to examine than a single disaster scenario.

It is also suited to readers who want large-scale scientific and geopolitical stakes anchored in one family’s predicament. Greg, Ginny, Jimmy, and Lizzie are not observing the crisis from a safe distance: their invention, their choices, and their relationship with Valada place them directly inside the struggle over who controls the technology that may determine what happens to the planet.

Richard H. Smith, MSc.

 
Author | Futurist | Nanotechnology & Policy Expert | Climate Technothriller Writer 

Richard H. Smith, MSc., is a futurist, technologist, and climate policy expert whose career has placed him at the intersection of nanotechnology, artificial intelligence, healthcare innovation, and climate change foresight for more than three decades. Drawing on real-world experience working alongside scientists, engineers, Fortune 50 companies, and government agencies, Smith writes hard science fiction grounded in plausible futures, where technology collides with political power, ethics, and human survival. 

Smith’s professional background spans leadership roles in nanotechnology R&D, AI-based medical diagnostics, strategic technology forecasting, and science policy, including serving as research director at a major university medical center and founding multiple technology ventures. He has advised U.S. and international governments on emerging technologies and was formally trained on climate change science by Al Gore, giving him a rare combination of technical depth and policy insight. 

Raised in Virginia, Smith built his career while raising a family—an experience that deeply informs the emotional core of his fiction. Today, he lives in Rehoboth Beach, Delaware, a coastal community already facing the realities of sea-level rise. He teaches courses on climate change and coastal vulnerability, witnessing firsthand how future scenarios are rapidly becoming present-day realities. 

WhiteGrass is Smith’s first full-length novel and the culmination of a lifetime spent studying how advanced technologies shape—and endanger—civilization. The novel explores nanotechnology, climate collapse, political conspiracy, and artificial intelligence becoming human, all through the lens of family survival in a destabilized near-future world. A prequel, The Iliad Virus, is available now, with the sequel Icarus Rising currently in development. 

Smith writes with one driving purpose: to expose uncomfortable truths about climate change, technological power, and political control—while telling a story compelling enough to feel like a blockbuster movie unfolding on the page.

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The sharpest question in WhiteGrass may not be whether the Marshalls can stop a climate catastrophe, but what happens when technology capable of changing the planet becomes inseparable from the people and institutions fighting to own it. Smith places that question beside Valada’s developing conscience, creating a future in which human survival, political control, and machine judgment are all moving at once. For a story built around planetary-scale technology, its most unsettling tension remains personal: who should be trusted with the power to decide what happens next?

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Power in The Vote: A Story of Political Peril is measured in more than elections. David Swanson builds his political thriller around the constitutional amendment process itself, following wealthy conspirators, political operatives, and emerging candidates whose ambitions converge on control of state legislatures and Congress. That focus gives the novel an unsettling point of tension: the people threatening the system are not necessarily trying to operate outside it. They understand its machinery well enough to make it part of their plan.

A Story of Political Peril

Fiction

Date Published: 09-10-2026

Publisher: Mission Point Press

The Vote is a political thriller built around a conspiracy among powerful political actors, billionaires, and party operatives who seek to manipulate the constitutional amendment process in order to permanently reshape the structure of American government. The mechanics of American politics, particularly the Article V constitutional amendment process, is the framework that informs the central premise of the novel. The current political landscape of the country lends credibility to the story and gives the narrative an interesting and timely foundation. 

The manuscript opens with a series of interconnected storylines involving political figures, wealthy conspirators, and emerging state-level candidates. These threads gradually reveal a coordinated effort to gain control of state legislatures and Congress as part of a broader plan to fundamentally alter the country’s political system. The concept itself is ambitious and grounded in recognizable political realities.

The premise of The Vote depends on a part of American government that political fiction does not often place at center stage: the Article V constitutional amendment process. Swanson uses that framework to make legislative control itself consequential, connecting state-level campaigns and congressional power to a plan designed to alter the structure of government rather than simply determine who occupies an office. 

The conspiracy also brings together people whose wealth and influence do not make them natural allies. The excerpt’s confrontation between Rudolph Conover and Aldon Powers introduces a world where status, intimidation, access, and ego matter alongside political strategy. That combination gives the story two overlapping contests for power—one being played through American institutions and another among the people attempting to control them.

Rudolph Conover fumed as the jet he’d sent to convey Aldon Powers to the Conover compound in Southern Illinois sat idling somewhere in Texas. No sign of Powers. No explanation. No apology. The plane should have left hours ago. 

For Conover, meetings such as today’s were a carefully choreographed dance, designed to shape an opponent’s mental disposition and ultimately their amenability to whatever it was he wanted from them. Everyone was an opponent in Conover’s world and everything was meant to intimidate, from the jet’s amenities to the obsessive focus on secrecy to the quirkiness of his compound. When dealing with men like Powers, it was his way of reminding them of his preeminence in the hierarchy of billionaires. On rare occasions when someone dared to play by their own rules, he did not take it well. Today was one of those occasions. 

Conover’s wife, Marcia, slipped into the war room where he sat. The meeting was scheduled to begin shortly. “Any communication from Powers?” he asked, irritated. 

She shook her head.

“How can he be so disrespectful?”

She put her hand on his shoulder, “You have every right to be upset. I’ll go see if there is any news.” 

Conover knew Powers was difficult and unpredictable but it was impossible not to respect him. A modern-day Edison, he was a daring visionary and the most technologically disruptive man in a century. His companies had mastered space, the Earth’s outer crust, and the ocean’s depths. The man had become so indispensable that some feared him as a veritable government unto himself, unfettered by borders and the normal rules of behavior. Everybody needed something from him that only he could give. Conover wanted to be a warlord. Powers wanted to be God.

The Vote is a strong match for readers who prefer political thrillers that pay attention to how government actually functions. The emphasis on Article V, state legislatures, Congress, and coordinated political strategy gives the conspiracy a procedural dimension that should appeal to those interested in the machinery behind political power rather than campaign drama alone. 

It should also interest readers drawn to stories about billionaires whose influence rivals that of institutions. Conover and Powers are introduced through a contest of dominance before the larger scheme has fully unfolded, suggesting that the personalities behind the conspiracy may be every bit as volatile as the plan itself. Anyone who enjoys interconnected political storylines, competing power brokers, and threats that develop through calculated institutional maneuvering should find the premise especially intriguing.

In 1981, he founded Daavlin, a medical technology company that eventually grew into a prominent player in the field of dermatology. As part of his career, he stepped foot on every continent and dipped his toes in every ocean on earth. Reading, writing, traveling, acting, and directing live theater are his favored pastimes. 

He’s also a lifetime political junkie. As this book goes to press, Swanson is a candidate for the Ohio House of Representatives.

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The most provocative element of The Vote is not simply that powerful people want to reshape the country; it is the possibility that they might pursue that goal through the very procedures designed to govern constitutional change. Swanson pairs that institutional threat with characters accustomed to using wealth, intimidation, and influence as extensions of personal power, making the struggle as much about who controls the conspirators as what the conspiracy hopes to accomplish. 

With its focus on Article V and the strategic importance of state legislatures and Congress, this is political suspense built around more than an election-night outcome. The danger lies in understanding the rules, gathering enough leverage, and deciding what those rules can be made to do.

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Tina has been given twenty-four hours, and she has no intention of spending them watching a hospital clock. Summer of the Blue Jay compresses its story into one fiercely limited day as nineteen-year-old Tina and fellow patient Jake leave the hospital behind and head for New York City. Their escape turns familiar places such as Central Park and Times Square into markers of borrowed time, giving Mike DeMaio's novella a premise shaped as much by urgency as by the question at its center: how much living can fit inside the hours that remain?

Literary Fiction Novella

Date Published: March 30, 2026

Publisher: Manhattan Book Group

For nineteen-year-old Tina, the answer is simple: live.

After receiving devastating news, Tina refuses to spend her final hours confined to a hospital bed. With time slipping away and an impossible dream still burning inside her, she convinces Jake, a fellow patient, to run. Together, they escape the hospital, steal a car, and set out for New York City—determined to squeeze an entire lifetime into one unforgettable day. 

As their frantic parents race to find them, Tina and Jake chase freedom through the heart of the city. From the peaceful lawns of Central Park to the dazzling lights of Times Square, every stop becomes a stolen moment, every laugh an act of defiance, and every heartbeat a reminder that time is the one thing no one can bargain for. 

But as the sun begins to set, their breathtaking adventure turns into a race toward one final, symbolic destination—one that will test their courage, their bond, and the meaning of a life fully lived.

Emotional, urgent, and deeply human, Summer of the Blue Jay is a poignant contemporary novella about friendship, love, resilience, and the power of choosing joy when the clock is running out. 

Perfect for readers who enjoy heartfelt coming-of-age fiction, emotional literary stories, and thought-provoking books that ask life’s biggest questions, this unforgettable debut reminds us that tomorrow is never promised—and that one day can hold the meaning of a lifetime.

The twenty-four-hour limit gives Summer of the Blue Jay a structure in which ordinary choices carry unusual weight. Tina is not trying to solve the fact that her time is running out; she is deciding what belongs inside the time she still controls. Her decision to leave the hospital with Jake transforms the novella into both an escape story and an examination of agency when nearly every other choice has been taken away. 

New York City also matters to the shape of their final day. Central Park, Times Square, and the destination waiting at the end of their journey create a progression through places associated with movement, possibility, and spectacle while Tina and Jake remain painfully aware that their own time is finite. That contrast between a city continuing at full speed and two young people counting hours gives the premise much of its emotional tension.

Summer of the Blue Jay should resonate most with readers who appreciate short fiction built around a concentrated emotional premise. Tina and Jake have only a single day in which to move from a hospital escape to New York City and toward one final destination, so the story places its attention on immediate choices, changing emotions, and the meaning the pair assign to each stop along the way. 

It is also suited to readers drawn to coming-of-age stories that confront mortality without separating it from friendship, affection, humor, and the desire for independence. The combination of two young patients, frantic parents searching behind them, a stolen car, and a rapidly narrowing window of time gives the novella both emotional stakes and forward motion.

After decades of solving complex technical challenges, Mike turned to writing as a way to explore the human stories behind pressure, change, resilience, and time. What began as humorous reflections on life in IT soon evolved into a deeper creative calling, leading him from industry commentary and tech-focused articles into fiction. 

His debut novella, Summer of the Blue Jay, asks one of life’s most powerful questions: what would you do if you only had twenty-four hours left? Inspired by Mike’s own reflections on career disruption, identity, and the urgency of living intentionally, the story blends emotional depth with a fast-paced journey about friendship, courage, and the priceless value of the present moment. 

Mike continues to develop a diverse range of writing projects, including humorous technology-inspired work, fiction, and thriller concepts. Through his storytelling, he hopes to remind readers that time is never guaranteed—and that the moments we choose to truly live are the ones that matter most.

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The question driving Summer of the Blue Jay is enormous, but DeMaio places it inside a deliberately small amount of time. Tina cannot create more hours, and Jake cannot remove the reality waiting at the end of their escape. What they can do is decide that the remaining hours belong to them, turning a trip to New York City into an assertion of choice when choice has become scarce. 

That makes the novella less about completing a final checklist than about what Tina and Jake decide is worth noticing while the clock continues to move. A park, city lights, laughter, companionship, and one last destination become significant because there is no guarantee of another day in which to experience them.

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Solomon City runs on secrets, and Jake Bishop has made a profession out of finding the ones people would rather keep buried. Justice, Or Something Like It, the second installment in Doc Blalock’s The Jake Bishop Files, drops its private investigator into a murder that appears almost insultingly simple: an old drunk is discovered with a corpse and the weapon that killed him. The problem is that Bishop knows appearances rarely tell the whole story. What begins as a suspiciously convenient arrest opens into blackmail, organized crime, divided loyalties, and the uncomfortable question at the heart of noir fiction—how far can a man bend his own rules before justice becomes something else entirely?

A private eye with a badge, a bottle, and a little bit of magic…

Justice, Or Something Like It

The Jake Bishop Files Book 2

by Doc Blalock

Noir Paranormal Sleuth Suspense

In Solomon City, everybody keeps secrets. Secrets are Jake Bishop’s job. 

When a harmless old drunk is caught standing over a corpse, murder weapon in hand, the case looks open and shut—but he won’t say why he pulled the trigger. Just that it had to be done. 

Bishop knows better. Digging deeper, he uncovers a blackmail scheme, a shadow war in the Irish underworld, and a threat aimed at the one person his old friend has left to lose—forcing Bishop to bend the law, and his own conscience, to see something like justice done.

The intriguing tension in Justice, Or Something Like It comes from placing a classic private-eye problem inside a world where the supernatural belongs alongside guns, blackmail, and organized crime. The central mystery is not simply who committed the killing—Bishop begins with a suspect standing over the body—but why it happened and what that apparent certainty is hiding. That reversal lets Blalock concentrate on secrets, motive, loyalty, and the moral compromises behind Bishop’s search for answers. 

As the investigation reaches into Solomon City’s Irish underworld, the question shifts from whether Bishop can solve the case to what he is prepared to do once he understands it.

“Secrets. Everyone has them. Some folks keep them for good and noble reasons, others, not so much. All kinds of secrets. Personal, professional, valuable, harmful or embarrassing. People will go to extremes to keep them safe. Some folks have been willing to die for them. Some will kill to protect them. I’m Jake Bishop, private investigator. Secrets are my job.”

Justice, Or Something Like It is aimed squarely at readers who like their paranormal elements served with hard-boiled detective fiction rather than sweeping fantasy. Bishop’s world mixes private investigation, criminal organizations, morally complicated choices, and supernatural abilities, making the series particularly suited to readers who enjoy noir atmosphere with an urban-fantasy edge. Those who prefer mysteries in which uncovering the motive creates a harder ethical problem than identifying the culprit should find Bishop’s latest case especially appealing.

A Damned Dirty Thing

The Jake Bishop Files Book 1

The explosion should have killed him . . . 

Jake Bishop is back on the streets of Solomon City, ten months after a mob bombing destroyed his office and murdered his partner and secretary. But Bishop isn’t just any private detective—he’s a “ditch wizard” able to step through shadow and bend reality to his will. 

When the beautiful and mysterious Portia Vance answers his ad for a new secretary, Bishop thinks his luck might finally be changing. Together, they begin hunting Vito Morelli, the mob boss who ordered the hit that nearly ended Bishop’s life. 

Their investigation leads them through the city’s darkest corners—from strip clubs to shadow banking operations, from corrupt cops to magical wards. But in a world where bullets and spells are equally deadly, and where everyone has secrets worth killing for, Bishop discovers that the line between hunter and hunted is thinner than he thought. 

Some cases require a gun. Others need magic. This one demands both. 

In the shadows of Solomon City, justice comes with a price—and revenge wears a beautiful face. 

A gritty noir fantasy that proves sometimes the most dangerous magic is the human heart.

Christopher “Doc” Blalock is a US Navy veteran Corpsman and retired counselor. He is a prolific fine artist, illustrator, musician, sculptor and writer, cursed with the itch to create. He draws inspiration from sources ranging from JRR Tolkien to Tom Clancy. He additionally draws from his love of classic black-and-white noir films, infusing their moody aesthetic and storytelling into his writing. A helpless coffee addict, he lives in the Atlanta suburbs with his childhood sweetheart and a dog of dubious moral character.

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Jake Bishop occupies the kind of territory where a clean solution would almost feel dishonest. Justice, Or Something Like It begins with a crime that appears solved and then uses everything hidden beneath it to complicate what “solved” should actually mean. Blalock’s combination of noir investigation and paranormal ability gives Bishop unusual tools, but none of them eliminate the harder problem of deciding what justice demands when law, loyalty, and conscience point in different directions. That moral friction, set against the secrets and shadows of Solomon City, gives this second Jake Bishop case its strongest hook.

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A childhood ambition to become a rocket scientist might sound like the beginning of a carefully plotted career, but Ken Kisco’s route to aerospace began somewhere much closer to sea level. In No Straight Lines to the Stars: An Unlikely Journey from Lifeguard Tower to Launchpad, the lessons he learned watching Southern California beaches—preparation, composure, quick judgment, and acting despite fear—become part of a much larger story about entering America’s space and defense programs. Kisco’s path is compelling precisely because it refuses the tidy trajectory its title rejects, connecting lifeguard rescues, engineering, professional setbacks, personal disappointments, and a decades-long determination to keep moving toward a dream first imagined at ten years old.

No Straight Lines to the Stars

An Unlikely Journey from Lifeguard Tower to Launchpad

Narrative Nonfiction / Inspirational

Date Published: August 4th, 2026

Publisher: Acorn Publishing

No Straight Lines to the Stars is the inspiring true story of a young lifeguard who dared to believe his life could reach far beyond the horizon. 

On the beaches of Southern California, Ken Kisco learned that preparation saves lives. From rip-current rescues to split-second emergencies, he discovered that courage is not the absence of fear, but the decision to act in spite of it. Those early lessons in resilience and composure pushed Ken to believe he could accomplish anything . . . including his lifelong dream of reaching the stars. 

Through relentless perseverance and unwavering faith, Ken rose into the heart of America’s most advanced space and defense programs, contributing to human spaceflight initiatives and supporting groundbreaking technologies. His unusual start as a lifeguard helped advance his career, distinguishing him from his Air Force and Navy peers. Yet, his toughest challenges were personal—he faced deep disappointment when a space mission was canceled and learned lessons about trust and integrity from a romance-turned-ruse. 

Ken’s journey reveals that success is rarely linear. Setbacks became launchpads, adversity became refinement, and purpose became a compass. Part memoir, part inspiration, and part behind-the-scenes look at America’s quest for the stars, this is the unforgettable story of a man who proves that bold dreams, combined with grit and heart, can launch an ordinary life into an extraordinary one.

Kisco’s story is built around an unusual connection: the habits that mattered while guarding a beach later followed him into highly technical aerospace work. That gives No Straight Lines to the Stars more to explore than the achievement of a childhood goal. The book looks at what happens between ambition and accomplishment—the preparation before an emergency, the resilience required after a professional disappointment, and the personal judgment shaped by experiences that have nothing to do with engineering credentials. 

Readers also get a behind-the-scenes perspective on a career connected with human spaceflight and advanced defense technologies, but the larger focus remains on the unpredictable route Kisco took to reach that world.

No Straight Lines to the Stars should appeal to readers who enjoy true stories about unconventional careers, especially those interested in aerospace, human spaceflight, engineering, or the people working behind major technological programs. It also has a clear place on the shelf for readers drawn to memoirs about persistence rather than effortless success. Kisco’s progression from Southern California lifeguard to aerospace systems engineer gives career-minded readers a particularly interesting angle, while the canceled mission and other personal setbacks keep the story focused on how a dream changes when real life refuses to follow the expected route.

At ten years old, Ken Kisco dreamed of becoming a rocket scientist, a goal that shaped his life. He earned multiple degrees, including master's degrees from the University of Southern California in systems management and from San Jose State University in industrial psychology. 

As an aerospace systems engineer for NASA, Rockwell International, and Boeing, he developed new technologies and earned recognition as an American Institute of Aeronautics and Astronautics (AIAA) Fellow. 

Ken now shares his passion by mentoring USC engineering students, inspiring them to dream boldly. When not traveling, he and his wife enjoy San Diego's beaches, where they live.

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The title No Straight Lines to the Stars captures more than Kisco’s career path. His story repeatedly returns to the idea that useful preparation can come from unexpected places and that a setback can change the route without ending the destination. The lifeguard tower and the launchpad may appear to belong to entirely different lives, yet Kisco connects them through the decisions, discipline, and resilience he carried from one stage into the next. For readers interested in the human story behind technical achievement, that unlikely continuity may be the most revealing part of his journey.

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Rose and Lily begin with the recognizable rhythms of childhood—school, rainy days, sibling squabbles, and time at home—but their mother soon gives them an unusual assignment: read a story she has written and tell her what they think. In Mum’s Story, Vlora Morina uses that premise to place one tale inside another, moving from the sisters’ everyday world into Alexander’s imaginative adventures. The result connects family storytelling with the creative possibilities children discover when an ordinary moment gives them permission to imagine something much bigger.

Children's Book

Date Published: March 7, 2026

Publisher: Publishing Push

When their mother entrusts them with a special task, the girls are whisked into a world of imagination through the story of Alexander, a boy who discovers friends on magical planets and learns the wonders of creativity, courage, and kindness. From ordinary afternoons to extraordinary adventures, this enchanting story celebrates family, imagination, and the little moments that make growing up magical.

The story-within-a-story structure gives Mum’s Story two different kinds of childhood adventure. Rose and Lily’s experiences are rooted in sibling life and the small incidents of an ordinary day, while the story their mother asks them to read opens the door to Alexander’s much more fantastical world. That contrast gives young readers a tangible example of how storytelling can transform familiar surroundings into a place for invention. It also places the act of reading inside the story itself, making imagination something the characters share rather than simply something that happens to them.

Mum’s Story is a natural match for children who like seeing everyday family life mixed with make-believe, particularly stories involving brothers or sisters, playful disagreements, and imaginative adventures. The relationship between Rose and Lily gives sibling readers something familiar to recognize, while Alexander’s experiences provide the more fantastical side of the book. Families who enjoy reading together may especially appreciate a story in which a mother sharing her own writing with her children becomes part of the adventure.

My name is Vlora, I am an Albanian from Kosovo and work as admin for Whittington Hospital in London. 

My inspiration and idea to write this book comes from my nieces and nephew who I love them dearly.

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At the center of Mum’s Story is a simple but meaningful exchange: a mother has created a story and trusts her children enough to make them its first readers. Morina builds outward from that moment, connecting Rose and Lily’s relationship with Alexander’s imaginative experiences and showing how stories can become part of family life. For children, the adventures offer room for play and fantasy; for families reading alongside them, the book also offers a reminder that creativity can begin with something as ordinary as sitting down together and sharing a story.

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